Ha ha!

You just never know what he'll review next!
Showing posts with label Japan. Show all posts
Showing posts with label Japan. Show all posts

Tuesday, 12 September 2023

Burl reviews Legend of Dinosaurs and Monster Birds! (1977)

 


Screech screech and aiyeeee it’s Burl, here with Japanese monster action! Ha ha, when I was a kid I had several issues of a magazine called Hammer’s House of Horror, and one of them contained a piece on a movie called Legend of Dinosaurs and Monster Birds! The article was allegedly a review, but the author obviously hadn’t seen the movie and didn’t try to hide that fact; but the write-up, which described centipedes acting up and eels appearing in people’s beds, along with the accompanying photos of dinosaurs and monster birds, made it look like a must-see!

Now all these years later, thanks to the magic of the internet, I’ve managed to catch up with this (in my mind) legendary movie! Now, first off, the title: despite the plurals, the movie contains just one dinosaur and one monster bird! (I guess you could say it’s the titular legend speaking of multiple creatures rather than being a promise of the title itself, but I still say the plural is a bit of pocus!) Secondly, there were no centipedes or eels to be found, unless I nodded off for a minute and missed them! And, I’m sorry to say, nodding off during this picture is a definite risk!

The story is set at one of the lakes which surround Mount Fuji, and I really liked that specificity because I didn’t previously know much about this region! Dinosaurs and monster birds aside, it looks quite pleasant! Nearby is that forest you’ve heard about where people go to kill themselves, and that gets a mention in the movie too – a skeleton discovered there is dismissed as just another suicide, rather than being recognized as the dinosaur and/or monster bird victim that it is!

We open with a woman – a would-be suicide, I think – wandering in the woods! She falls into a cave (there’s a terrific shot of her plummeting toward the camera), where she finds some eggs, and then an egg cracks open and she sees a goochy eye staring back at her! Then we meet the picture’s alleged hero, a geologist called Takashi, who’s described in the film’s IMdB synopsis as an “action scientist,” and ha ha, I guess that’s what he is! On the other hand, for most of the picture he seems almost as sleepy as the Russ Tamblyn character in War of the Gargantuas, a film I was strongly reminded of as I watched this monster bird movie!

The scientist sees the story of the woman who discovered the giant eggs on TV and instantly becomes obsessed first with finding the eggs and then, once he realizes the possibility, with seeing an actual living dinosaur, which was also a pet project of his late father's! Once at the lake, Takashi hooks up with an old flame, Akiko, who is an underwater photographer! More stuff happens, not much of it having to do with either dinosaurs or monster birds though, and finally the picture borrows a scene whole from Jaws (a major inspiration on the first half of this movie) when two wiseacres panic people with a fake fin in the lake! The stunt cruelly interrupts a country music concert held on a floating barge, but thankfully the two pranksters are first swirled in the water like the turds they are, then chomped! A third fellow witnesses this, but, in a heartrending scene, no one will believe him when he reports it!

The monster rumours extend far enough to bring a Scotsman, who tells everybody that, as a Scotsman, he knows it’s no picnic dealing with giant lake monsters! Akiko can certainly confirm this once her diving buddy is chomped in half by the dinosaur, but the gruesome tragedy doesn’t prevent her from taking a shower (providing the picture with that rarity in the kaiju genre: a nude scene!) and doing a cheesecake underwear scene which concludes with a cutaway shot of a doll in diving gear with pink troll doll hair!

When the monster bird finally shows up, it’s almost worth the wait! He grabs people with his talons and then drops them like a jerk; he buffets them with his wings and slaps them with his tail, then causes them all to blow up! Inevitably the two props battle it out, bumping into each other and making screeching noises! A volcanic eruption puts a stop to this rumbustification and provides a seemingly endless final scene in which the two leads are caught in a deadly situation, dangling from a log over a river of bubbling lava!

This absurdly overstretched sequence and its uncertain terminus are frustrating but apt for a movie that’s a frequent bore and a narratively unstructured mess, ha ha! Plus, the monster bird looks like a really ugly version of one of those dino-head grabber toys, and the dinosaur has a freakishly pliable neck! Other trick effects are actually pretty good though, and the slight nudity and slightly more frequent gore give the whole thing a grindhouse feel; also we get the occasional striking shot or moment, like that plummet in the cave! Too often it’s tedious though, and sure could have used more monster attacks, more people being eaten up like junior mints, better characters, a proper story, and a heavy dose of pep! If it comes down to a choice, stick with War of the Gargantuas, but if you do watch Legend of Dinosaurs and Monster Birds you will be able to wring at least some enjoyment from it! I give this picture one and a half depth charges!

Saturday, 19 December 2020

Burl reviews Tampopo! (1985)

 


Noodle-slurpers, hello, it’s Burl! Ha ha, when I was a younger man, working in a video store in the late 80s and early 90s, there were certain movies of which I was aware, and which I knew were supposed to be good, but which were so ubiquitously on the shelves that they became a sort of wallpaper, and I never watched them! Many of these were the sort of 80s international or independent popular favourites that would have played in art houses to sweet acclaim - ha ha, I guess something like My Dinner With André or maybe Babette’s Feast would be other examples of this sort of movie! But the one I’m talking about today is quite simply Tampopo!

Well, I recently caught up with it, and while I’d always known is was a quirky film that mixed together genres the way its characters mix together broth, I wasn’t aware of just how eccentric and culturally specific it was! I found these elements quite delightful, and at times the episodic surreality of the thing reminded me a bit of something like Holy Motors!

And like Holy Motors, this is a movie that’s highly aware it’s a movie! Ha ha! It begins in a cinema, with a white-suited gangster type, played by Kôji Yakusho from such great Kiyoshi Kurosawa pictures as Cure and Charisma, who upbraids fellow patrons for eating noisy chips, and then discovers and addresses the camera to issue a similar admonishment and to talk about the autobiographical “movie” one sees of one’s life at the moment of death! Then the story proper begins: two truck drivers, one an older, taciturn cowboy Goro, played by Tsutomu Yamazaki, known for his appearances in such Kurosawa pictures as High and Low, the other a younger fellow in white called Gun, essayed by none other than Ken Watanabe from Godzilla, stop for ramen in a little restaurant run by a widow named Tampopo, played by Nobuko Miyamoto, the Taxing Woman herself!

But Tampopo’s ramen is unsatisfactory, and so Goro and Gun embark on a quest to help the flustered woman perfect her cooking and turn her struggling business into an all-time blockbuster of a noodle shop! As in The Magnificent Seven, or, more properly, The Seven Samurai, they gather together a group of experts, all men, to help not just with the ramen recipe but with renovating the shop and refining every detail of Tampopo’s hospitality strategy! Meanwhile Goro and Tampopo seem destined from the beginning to be together, but their budding romance is remarkably tentative!

Well, that’s the main tree trunk of the plot, but branching off it regularly throughout the picture are food-centric vignettes, sometimes involving the gangster in white, at other times featuring total strangers: a group of executives scandalized by their junior’s independence, for instance, or an old lady with pinchyfingers gone a-marketing! Some of these are moral tales, others fables, and sometimes they’re just filmed jokes in the manner of If You Don’t Stop It…. You’ll Go Blind!!! I must say I particularly liked a digression involving a gang of hobo gastronomes, and I think you’ll like that bit of the movie too!

With the exception of a scene showing the slaughter of a turtle, which I most certainly didn’t like, it’s mostly a very delightful a study of kindness and generosity between humans! But it has some sharp edges too, along with punchfights, low-key pictorial beauty, and a touch of bohankie too, making it in sum a good, heady brew of noodles and broth! The attention paid to detail, and the gorgeousness of the comestibles on view add still further to the pleasures of the whole! Ha ha, it’s an invigorating filmic experience, and I give Tampopo three shared egg yolks!

Sunday, 26 August 2012

Burl reviews War of the Gargantuas! (1967)



Aiiiii, it’s Burl! Ha ha, no, I’m not a giant monster, just the same gentle movie reviewer you’ve always known! But today I’m reviewing War of the Gargantuas, a movie about giant monsters, or at least about gargantuas! (I waited in vain for an appearance by Pantagruel, however!) They’re pretty monstrous, these gargantuas, and in case they’re too humanoid for you, even though they’re big, shaggy and ugly, this movie tosses in a giant octopus for good measure!
The movie starts off with a good, creepy scene! A guy at the helm of a fishing boat is menaced by tentacles which poke in through the doors and grab at him! Ha ha, it’s a mighty kraken! The tentacle effects are perhaps the best I’ve ever seen, and I’ve seen 20,000 Leagues Under the Sea! Anyway, just as it seems the boat is going to be made a meal of by the enormous calamari, a green-furred gargantua shows up and battles the eight-legged beast! But the green monster is soon sinking the boat himself, and he eats up the crew like they were Junior Mints! Ha ha, munch munch!
Well, soon a laconic roundeyes named Professor Stewart, evidently a professor of giant monsters, is called in to advise on the situation! He’s played by Russ "Blood Screams" Tamblyn, who was, I presume, on a heavy program of barbiturates at the time! It seems that he and his pretty assistant once kept a small brown gargantua as a lab specimen and friend, but he escaped! The army wants to eliminate all gargantuas regardless of fur colour, so it’s up to this dynamic duo to prevent the killing of their chum the brown gargantua while helping to defeat the seemingly unstoppable green one! Added to this is the problem that if you blow up a gargantua, each bit will eventually become a full-sized gargantua itself, just like with the artichoke monster from Blood Beach!
Meanwhile, the green gargantua is making attacks all over Japan! He munches on a lady at an airport and later grabs a nightclub singer just as she’s finished warbling a wonderful, terrible pop song called “The Words Get Stuck In My Throat!” She almost gets stuck in the gargantua’s throat, but narrowly escapes! Soon the brown gargantua appears, and he hangs fire for a bit while apprising himself of the situation! Russ Tamblyn checks out some Yeti prints in the mountains, where for some reason everybody else is wearing climbing gear while he’s in a cream-coloured sports jacket!
Eventually the brown fellow realizes his green counterpart is a bit of a jerk! The war of the gargantuas finally begins in earnest, and many innocent model buildings are crushed! Ha ha, I often wonder about the Sisyphean labours of the Kaiju movie modelmakers! They construct these wonderful, detailed little worlds only to step back and watch them get immediately crushed to flinders by a few dudes in rubber suits! Ha ha, that must be just the least little bit frustrating, you’d think!
Well, I’ll confess that I’ve never been very much into the Japanese monster movies, maybe because so many of them seem geared towards kids, but when I watch them I tend to enjoy them, and this one was no different! I always love giant octopus scenes, so I give it extra points for that, and for sleepy Russ Tamblyn too! The models are great, and some of the scenes, where the green gargantua makes a terrifying noise and runs around stomping things in slow motion, are almost kind of scary! I also liked that horrible song! I give War of the Gargantuas two and a half groups of merrily singing youths!  

Sunday, 9 October 2011

Burl reviews Matango! (1963)



Hi, Burl here with a review of the most unusual movie Toho ever did! I can’t think of a weirder one anyway, unless it’s maybe War of the Gargantuas! Anyway, for those who don’t know, Toho is the Japanese movie studio that did all the Godzilla movies, so anytime they strayed away from the giant monster thing, it was at least a little unusual! But with Matango they went fully bats!
Matango starts with a group of people on a boat, out for what I assume was meant to be a three-hour tour! There’s the Skipper; his little buddy who wears a red shirt and a white cap; the Professor; a millionaire (unmarried); a glamorous star and a cute, mousy girl! Ha ha, sound familiar? Anyway, this motley crew gets caught in a storm and ends up stranded on an island, as if you couldn’t have guessed that! But instead of cave gorillas or angry natives or the Harlem Globetrotters, the island is populated by only one thing: giant mushrooms!
The mushrooms have been given the moniker “Matango” by some previous visitors to the island, and it’s only gradually that the castaways become aware of what happened to those others, and the true and oddball danger posed by Matango itself! Ha ha, it seems that if you eat Matango, you get groovy hallucinations and then rapidly become a Matango yourself! It’s quite a horrifying sequence when the Professor, who becomes the film’s hero, realizes he’s surrounded by ambulatory mushrooms! (Eventually he proves to be quite a fun guy himself, ha ha!)
Matango is a slow builder of a movie, it’s true, but it’s a compelling one! The breakdown of the class barriers, particularly between the millionaire and the Gilligan figure, is fascinating to watch! And the Ginger simulacrum is very satisfyingly forced to get her hands dirty as the castaways search for comestibles – a nice thing to see after years of that precious Ginger refusing to do any work on Gilligan’s island! I always did prefer Mary Ann, ha ha, and it’s the same in Matango!
Also, the movie is beautiful to look at! The eerie seascapes, the mushroom-choked jungles, and even Tokyo as seen in the movie’s bookending sequences are just stunning conflations of cinematography, art direction and special effects! The makeup is pretty good too!
Amazingly, Matango was made the same year as the Gilligan’s Island pilot episode! Ha ha, it still makes me shake my head to think of all the parallels, and it’s pretty fun to imagine that this is a lost episode of that great program! I give Matango three and a half ukulele solos and advise you to search it out and take a look at this dreamlike and highly unusual picture for yourself!