Pondering the mysteries of life, it’s Burl,
here with a touch of Christie for you! Yes, today I’m reviewing one of the
star-studded Agatha Christie whodunits, but not Murder on the Orient Express or Death
on the Nile, no! This is a distinctly lesser effort that came trailing
along later: The Mirror Crack’d!
It’s set in a little English village, so it
lacks the exoticism of the earlier grander efforts; but there are still any
number of Hollywood glamour-pusses reeling about, even if well beyond their
sell-by date! The story, set in 1953, begins promisingly with a
movie-within-a-movie: a mystery picture screening at the vicarage, which
resident biddysleuth Miss Marple, played by a well-cast Angela Lansbury, solves
when the film breaks just as the killer is about to be revealed!
The tale proper involves an invasion of the
village by Hollywood moviemakers, who are for some reason shooting an
Elizabethan drama in this tweedy Tudor town, which, we are led to believe, is
home to a large studio facility! The film’s star is fragile, violet-eyed
Elizabeth Taylor, famed from her role in Night
Watch; its director is the Taylor character’s husband, played by Rock
Hudson from Written on the Wind and
Seconds! Hudson seems to be having an affair with his assistant, the hay
fever-ridden Geraldine Chaplin from The
Moderns and The Forbidden Room;
and soon enough a boorish producer, played by Tony Curtis from The Manitou, arrives on the scene with
his wife, another actress, and a nasty, bitter rival to Taylor, played by Kim
Novak from Vertigo! And guess who
else shows up, playing the Mayor: none other than Thick Wilson, whom we
certainly recall from Sex With the Stars,
Strange Brew and Bullies!
At a party for the village noteables, held
in the estate where the movie’s above-the-liners are staying, there is an
unexpected death! But who was the glass of poison really meant for, and will
the killer strike again? On the case of course is Miss Marple, though she must
engage with it remotely for the most part, due to a sprained ankle! Most of the
legwork is undertaken by Marple’s nephew, a Scotland Yard detective played by Edward
Fox from Never Say Never Again!
The catty byplay between the starlets is
fun at first, but wears thin quickly! Ditto the provincial eccentricities of
the townsfolk! Curtis’s crass producer is a caricature to be sure, but we can
tell the actor is injecting some of the realities he’d encountered in his
career into the performance! Rock Hudson, also clearly channeling some Hollywood
reality, bestrides about the place, towering over everybody else in the
picture! Ha ha, maybe this was a more subtle jab at Hollywood and stardom: to
make no effort, with camera angles and apple boxes, to prevent Curtis, Fox, and
certainly Lansbury, from looking like midgets in comparison!
Like The Man With the Golden Gun, which I watched on the same evening, this picture
was directed by Guy Hamilton! This unintentional Hamilton double header did not
elevate my estimation of his filmmaking talents, I’m afraid, though it was not
necessarily a representative sampler! There’s not a great deal of style or
atmosphere on display in The Mirror
Crack’d; little more than you might find in a BBC television production of
a Miss Marple story, anyway! It all relies too much on the aging stars, who
march about like automatons mechanically uttering lines that might have played
better on a West End stage forty years earlier!
It all wraps up with a pretty unconvincing
twist ending, and the solution to the mystery, after ninety minutes of determinately
keeping Miss Marple away from all the action for some unknown reason, comes to
her in the middle of the night apropos of nothing, with the blue-haired sleuth
sitting up in bed to exclaim “The vicar!” When you compare it to a really good
English village mystery like Green For Danger, or even A Canterbury Tale,
which isn’t even principally a mystery, it comes up pretty short! I give The Mirror Crack’d one and a half jars
of Kensington gore!
Christie fans were aghast to see Miss Marple chainsmoking and living in a huge house with acres of garden out the back! Among other missteps.
ReplyDeleteBut the film doesn't seem interested in her, it's more excited about securing the greatest Hollywood cast of 1958. It gets by as camp, but there's a reason the Peter Ustinov as Poirot movies were hits and this was a one-off.
It's strange how little Miss Marple is in the thing!
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