Hi, Burl here to let you know that it’s
prom night; perforce, everything must be all right! Ha ha yes, that’s right,
I’m quoting the sadly misinformed and inaccurate disco theme song to the early
Canadian slasher film Prom Night, a
night in which, for a number of characters in the movie, everything is
decidedly not all right!
This is a semi-classic slasher movie whose
semi-classic status stems entirely from its vintage and from the fact that it
spawned three or four sequels, with which all it has in common are proms and
nights! Certainly it does not arise from great style, technique, pep, or other
signposts of cinematic quality! And yet it has a certain something, that indefinable,
ineffable thing which I will try to
parse out for you in this review!
We start with the prologue, a half-dozen
years before the main action, in which a little girl finds herself chased out a
second-story window by some slightly older kids playing a game called The
Killer Is Coming! Six years later we meet the Hammond family: no organ players
they, but a school principal played by Leslie Nielsen, whom we know from Project: Kill and Creepshow; an older daughter named Kim, essayed by the one and only
Jamie Lee Curtis of Halloween and The Fog fame; a wrung-out looking mother
played by Antoinette Bower from Time Walker and Club Paradise; and a
brother, Alex, played by actor-turned-location manager-turned realtor Michael
Tough! Of course the little girl who fell that day was the family’s youngest
child, and they all miss her terribly!
At Hamilton High prom night is approaching,
and Kim is the queen, and Wendy, a perfect recreation of the P.J. Soles
character from Carrie, here played by
Eddie Benton from Halloween II and The Boogens, is seething with jealousy
in the margins because her former boyfriend Nick is the king, and it looks like
Kim and Nick have started a royal romance! Wendy hooks up with a missing-link
greaser called Lou, and meanwhile a couple of Kim’s friends are hoping this
special night to shake the dew off their petals, ha ha!
Nick, Wendy and the two virginal girls were
the bullies who sent young Robin out the window, and the innocent fun of the
evening is spoiled when a balaclava-clad killer starts in with the pokings and the slashings! It all
takes a while to come about, though, and meanwhile we spend quality time with Mr. Sykes, the
drooling, hair-netted janitor whose presence at the school goes unappreciated
by the teens! Ha ha, they just moon him, or Vicki does anyway!
But he’s the reddest of herrings, as is the
local deformed killer whom everyone assumes will be responsible for any
murderous rampages that might occur that evening! And one does, of course, amid endless scenes
of disco hand dancing and a fair old bit of necking! The peppiest it all gets are
one scene involving a boogie van going off a cliff with the unfortunate nerd
Slick still at the driver’s seat, and another wherein the troublemaking monobrow
Lou is decapitated with an axe and his head rolls down the catwalk to make everybody
scream! In the end there’s a surprise culprit, and part of the surprise is the
unexpected use of lipstick in the scene!
It’s a slow picture, a little like Halloween but without the style or the scares! It’s
got its own style, however, mostly in the form of slightly cheesy but still
effective goofshots courtesy of director Paul Lynch, who also brought us Bullies! And it’s got aspects I really
like! Character things, like Wendy’s mysterious relationship with the little
old lady who lives with her, or Slick’s simultaneous double life as a portly
nerd and a boogie van-driving stoner! There aren’t much in the way of Special
Makeup Effects on view, aside from one severed head and a bit of neck jelly on
a slashed throat, so that’s a bit of a shame! (There’s a credit for
“Prosthetics” in the end crawl, but I didn’t see any!) For all its faults I
quite enjoyed my recent VHS viewing of this picture, and so I give Prom Night two savage moonings!
The one big mystery about this one: where does Leslie Nielsen go? He looked to be set up as the killer, or at least prime suspect, but he just disappears and nobody mentions him!
ReplyDeleteIn an alternate world, the Prom Night disco theme won an Oscar and Thank God It's Friday went home empty handed.
I think Nielsen got the call to be in Airplane halfway through the shoot, and immediately discerned that it would change his career and his life! Ha ha, this may actually have been the case - Prom Night and Airplane were both shot in the summer of 1979!
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