Ha ha, Burl here, with exciting news to report! I may have
stumbled across the fount of my small, sporadic interest in middlebrow adult
comedy-dramas from the late 1970s and early 80s! You know, It’s My Turn, Fastbreak and the like! Anyway, this one’s a doozy, and I
remember seeing it on TV when I was young, and being strangely intrigued!
Partially this was simply because I was fascinated by
Richard Benjamin, who looked, talked and acted just like a friend of my
parents’, a guy named Bill! Nice fellow! Anyway, yes, Richard Benjamin, who of
course directed The Money Pit and
many others, is in this picture, and is easily the best thing in it or at least
the funniest!
George Segal, well known from Stick, and Natalie Wood of Brainstorm
take on the roles of Jeff and Mari, a married couple who play an extremely informal
brand of foot-ball with their friends every week! Well, the foot-ball pals get
whittled down as the other couples all split up or separate in some fashion, sometimes
recoupling in unusual ways! Ha ha, and when Jeff and Mari start feeling like the last
married couple in all of America, they start acting weird, like when George
Segal has a one night stand with Rhoda!
In the meanwhile Richard Benjamin’s character Marv is
getting a divorce, and poor Marv is unraveling his way through the c.1980
singles scene! Ha ha, the dialogue isn’t all that funny, but Benjamin's delivery does remarkable wonders! Less funny but not
un-entertaining is Dom DeLuise, who plays a part-time plumber with, ha ha, other interests! And there are others,
like Allan Arbus, known from The
Christian Licorice Store, who is also something of an unlikely swinger, and
Bob “The Big Bus” Dishy, and Pricilla
Barnes from Lords of the Deep! Ha ha!
Ha ha, in spite of the script having been written by John
Shaner, who played one of the layabout beatniks in the original A Bucket of Blood, it’s not very good!
The picture starts off with sitcom-y, but still recognizably human, behavior,
and then slides into a whole mess o’ unlikelihoods an’ proposterousnesses! The
early part of the picture, where the couples are breaking up one-by-one style in
what seems some manner of marital slasher scenario, is the most interesting and
relevant part; but by the time Dom DeLuise has invaded the couple’s house to
host a crazy swinger birthday party (ha ha, with the kids in the
next room the whole time, it turns out!), nothing means nothing anymore, despite the compelling presence of a giant man-sized prostitute in a weird backless outfit!
I remember being very interested in Jeff and Mari’s
plant-filled, open-concept SoCal house, and it was as good as ever, even with
sculptress Mari’s blobby work-in-progress sitting in the middle of it! (Ha ha,
she’s about as talented an artist as Walter Paisley!) And even if the picture as a whole has almost no
relation to reality, it’s a pretty good time capsule of the era! But otherwise
it’s a pretty bland concoction, although you can tell it tries to be, and
believes itself to be, bold and daring! It seems more like one of those Rock-and-Doris
pictures with all the charm hoovered out and smarmy, sniggering jokes stuffed
in its place! But if the form interests you as much as it does me, you should
go ahead and give it a watch; just be warned that it’s a pretty poor ungarian!
I give The Last Married Couple in America
one and a half fur coats with nothing on underneath!
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