Hello my good and gentle readers, it’s Burl
here to review a curious comedy called Clifford!
Yes, this is an odd one, and the most generous reaction to it that I can
conjure is to remember that quote from someone associated with the National
Lampoon magazine, who said “Making people laugh is the lowest form of comedy!”
Ha ha, as I’m sure you know, I heartily subscribe
to that philosophy, and so can’t help but wonder if the makers of Clifford were simply pursuing some
higher ideal of comedy than the standard “funny” baseline most other studio
laff-fests settle for! Of course, most studio laff-fests aren’t funny at all,
or at least not funny to me, and as a rule I prefer the odd ones, the movies
that strike out in some different direction in an effort to find some comedic
vein not mined before!
So where does that leave Clifford? Well, it’s still not very
funny! It tells the tale of the eponymous boy, a ten year-old played by Martin
Short of Innerspace fame! They put him
in a Fauntleroy suit and, when they can be bothered, use camera tricks to make
him seem shorter than everyone else! So Clifford looks like a forty year-old
man with an especially expressive face, and the other thing about him is that
he’s a revengeful sociopath!
At the beginning of the picture, Clifford
is flying with his parents to Hawaii, when he decides he’d like to get off in
Los Angeles instead to visit the theme park he’s obsessed with, Dinosaurworld! After
nearly crashing the plane he is placed in the care of his uncle Martin, played
by Charles Grodin, well-known from It’s My Turn! Martin is trying to convince his fiancée, Mary Steenburgen from Elf, that he loves kids, so he gladly
takes on the responsibility of caring for Clifford! When the unreasonable demands of Martin’s
officious, horndog boss (played by, who else, Dabney Coleman from The Towering Inferno, Cloak & Dagger, Rolling Thunder, Dragnet and so many more) force Uncle Martin to renege on his offer to take the boy to Dinosaurworld, Clifford turns his uncle’s life into a
living, crawling hell on earth! Ha ha!
There are shenanigans involving a cocktail
made from pepper juice; a lipstick; a bomb threat; a dinosaur costume; an
illicit house party; and some kind of explosive code inscribed onto a tape
cassette! All of this combines to transform Uncle Grodin from the usual
slightly uptight Grodin we know from the Beethoven movies into a raging
psychopath bent on Clifford’s destruction! Ha ha, and we, the people of the
audience, are fully in Uncle Grodin’s corner, I can tell you! By the arrival of
the unexpectedly intricate yet still shoddy climax at Dinosaurworld, we’re
enthusiastically rooting for Clifford’s death! Ha ha, I’m not sure if that was
the intention of Short or the filmmakers, but that’s what we got!
Clifford is so finely engineered as to avoid all obvious laughs (except for
the odd pratfall, which Short ably pulls off in the bookending segments set in
the far future of 2050) that it’s kind of admirable! I’ve seen it a couple of
times now, thanks to my son, who seems to like it (ha ha, a worrying thing in
itself!), and I’m still not entirely sure what I think of it! I’m going to
waffle a bit and award Clifford two four-year
delays between filming and release!
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